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Resume-CV:
To obtain an electronic or hard copy of Pam's resume e-mail: pam@pamhall.ca
Pam Hall: Summary Excerpts from the last 2 decades
EDUCATION
2009-present Interdisciplinary PhD Candidate, Memorial Univeristy of Newfoundland
1978 M.Ed., University of Alberta, Edmonton- (Education, Art and Science Creative Commonalities)
1973 B.F.A.(Honours),Sir George Williams University, Montreal, Quebec (Printmaking, Painting)
EMPLOYMENT
1998-present- Faculty Member, MFA in Interdisicplinary Arts, Goddard College, Vermont.
Selected SOLO EXHIBITIONS/INSTALLATIONS:
2013 HOUSEWORK(s) - Confirmed- The Rooms Provincial Art Gallery, St. John’s, NL
2009 Dressing Up Work- Icewater Seafoods, site-specific public art project, Arnold’s Cove, NL.
2008 A Wish and a Prayer- Brown-RISD Hillel Gallery, Providence, Rhode Island
2007 Dressing Up Work at Auntie Crae’s- site-specific installation and public art project, St. John’s
2006 Dressing Up Work: The Apron Diaries- site-specific installations at Cape Bonavista, Maberly and Port Rexton, NL.
2004 Re-Writing the Body… at VASISTAS, Theatre La Chapelle, Montreal
2002 Re-Writing Her Body: Towards the Reading Room, GRUNT gallery, Vancouver
2002 New Readings in Female Anatomy, mixed media installation, CUAG, Ottawa
Doing the Reading/Reading the Doing, performance, CUAG (Carleton University Art Gallery)
2001 New Readings in Female Anatomy, mixed media installation, AGNL, St. John’s
1999 Figuring the Ground, mixed media drawing installation, Health Sciences Centre, St. John's
1998 Hands in History, photo-text installation, Health Sciences Centre, St. John's
1997 Re-Seeding the Dream, Phase One: site specific land installation, Southern Alberta
Fragments from the Inshore Archives, Permanent installation, Ryan Premises, Bonavista
1995 The Coil- a history in four parts-1988-93 Thunder Bay Art Gallery, Thunder Bay, Carleton Univeristy Art
Gallery,Ottawa, Southern Alberta Art Gallery, Lethbridge, Alberta, and the National Gallery of Canada, Ottawa
1994 The Coil- a history in four parts- 1988-1993, Art Gallery of the Canadian Embassy, Tokyo, Japan, MemorialUniversity Art Gallery, St. John's
1993 Tools of the Trade, Canadian Mission, New York, (United Nations Meetings on High Seas Fishing)
Inshore Artifacts, Meeting of Like-Minded Countries on High Seas Fisheries, St. John's
The Coil that Binds... Agnes Etherington Art Centre, Queen's University, Kingston, Ont.
Selected GROUP EXHIBITIONS and Collaborations:
2008 Marginalia-Out of the House- Pam Hall and Margaret Dragu, Richmond Art Gallery, BC
Marginalia Residency, Exhibition and Performance- STRUTS GALLERY, Sackville, NB
2005 Marginalia, with Margaret Dragu -LIVE Biennale of Performance Art, grunt gallery, Vancouver
2003 AGNL & the Royal Canadian Academy: a Survey: AGNL, St. John’s, Newfoundland
Tide Line: Contemporary Art from the Atlantic Provinces, National Arts Centre, Ottawa
1999 Progress Notes, AGNL,(Art Gallery of Newfoundland and Labrador), St. John’s
1997 Rethinking the Rural in Contemporary Newfoundland Art, AGNL, St. John's,
curated by Cliff Eyland
1997 fertile ground, Oakville Galleries, Ontario, curated by Jan Allan
1995-96 WHEN COD WAS KING, South Seaport Museum, New York
1994-96 Marion McCain Atlantic Art Exhibition, Beaverbrook Gallery, Fredericton, New Brunswick,
Selected Public and Corporate COLLECTIONS
The National Gallery of Canada
The Rooms, Provincial Art Gallery
City of St. John's
Royal Bank of Canada
Fishery Products International
NICHIRO Corp. (Tokyo)
Memorial University Permanent Collection
Government of Newfoundland and Labrador
Department of External Affairs, Canada
Canada Council Art Bank
Selected GRANTS, AWARDS, COMMISSIONS, FELLOWSHIPS
2010 CURRA Associate Research Fellow, MUN
2009 MUN, School of Graduate Studies, PhD Fellowship
2007 Canada Council for the Arts- Visual Arts Research and Production Grant
NLAC Grant to advance Re-Writing the Body-Towards the Reading Room
Canada Council InterArts Travel Grant to present at Live in Public, The Art of Engagement,
Vancouver
Gemini Award Nomination for Best Production Design in a Mini-series- for Above and Beyond
2002 Outstanding Achievement in Production Design Award, Rare Birds, Director’s Guild of Canada
Canada Council Travel Grant to attend Towards the Reading Room, grunt gallery, Vancouver
NLAC Travel Grant to accept induction into The Royal Canadian Academy of the Arts, Calgary
NLAC Senior Artist Research and Development Grant- Re-Writing Her Body
1999 NLAC-Innovations Grant for New Readings in Female Anatomy
1997-98 Canada Council for the Arts, Artists in the Community Pilot Project Grant
Selected Bibliography:
-Marginalia:Getting Out of The House:Pam Hall and Margaret Dragu: Exhibition catalogue, Richmond Art Gallery,
BC, essays by Glenn Alteen and Jeremy Todd
-New Readings in Female Anatomy- Essay by Sandra Dyck, CUAG and The Rooms, 2006
-Included in Drawn to The Edge: a Celebration of the Art Collection of North America’s Easternmost City, city of St. John’s, 2006
-Figuring the Ground- in Ars Medica: A Journal of Medicine, The Arts and Humanities:Vol 2, No2, Spring, 2006
-Included in Reflections in a Dancing Eye: Investigating the Artist’s Role in Canadian Society, Sidimus and Anderson,
Banff Press, 2006
-Marginalia- Pam Hall and Margaret Dragu- Velveeta Krisp, brunt magazine, Vancouver, 2005
-An Etiology in Objectification-Pam Hall’s New Readings in Female Anatomy- Natalie Beausoliel, ArtsAtlantic- Spring
2002-No.71
-Alternative Anatomy ,Vivian Tors , Canadian Medical Association Journal • May 14, 2002; 166 (10)
-Canadian Art: from its beginnings to 2000, by Anne Newlands, Firefly Books, Ontario, 2000
-RETHINKING THE RURAL IN CONTEMPORARY NEWFOUNDLAND ART , Cliff Eyland ,1996 ,
Art Gallery of Newfoundland & Labrador.
-Fertile Ground. Exhibition catalogue, essay by Jan Allen. Agnes Etherington Art Centre. (1996)
-The Coil- a history in four parts- exhibition catalogue with essays by Patrick O’Flaherty and Nancy Shaw,
Memorial University Art Gallery,1993
-PAM HALL: THE LINE THAT BENDS, THE COIL THAT BINDS - THE WEST COAST WORK, by Cliff Eyland,
Canadian Art, magazine, Summer, 1992, 68.
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